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Archive for the ‘Poetry’ Category

This is Why – Lisa Kilian

In Poetry, Volume I: Spring 2009 on May 7, 2009 at 2:25 am

 

My brother works in a coal plant. 
He’s gonna build a smokestack that will 
reach into the heavens and 
pour out black smoke into 
grey clouds. 
He’s got a wife and 
two kids 
and they’re gonna eat tonight 
cause my brother is gonna build a smokestack. 
And Yes I know the soil is poisonous, 
And Yes I know we are all fat and have cancer, 
And Yes I know the rainforest is 
disappearing and the air is hot and thick, 
And Yes I know the others exist. 
But they’re gonna eat tonight 
cause my brother is gonna build a smokestack. 

My brother works in a coal plant. 

He’s gonna build a smokestack that will 

reach into the heavens and 

pour out black smoke into 

grey clouds. 

He’s got a wife and 

two kids 

and they’re gonna eat tonight 

cause my brother is gonna build a smokestack. 

And Yes I know the soil is poisonous, 

And Yes I know we are all fat and have cancer, 

And Yes I know the rainforest is 

disappearing and the air is hot and thick, 

And Yes I know the others exist. 

But they’re gonna eat tonight 

cause my brother is gonna build a smokestack.

Soon Upcoming – Lisa Kilian

In Poetry, Volume I: Spring 2009 on May 7, 2009 at 2:23 am

 

The mornings take place on front porches 
and the girls sweat in their dresses. 
The swamp smell of ponds floats in 
the humidity of the wind. 
It tangles between the trees and the houses 
and with the wooden smell of barbeque comes laughter. 
The children run after dogs 
screaming, 
and the parents slowly sip picnic beers 
while the water drips down to the table 
leaving a ringed reminder. 
The heat grows so thick and 
twines in between our fingers, 
wraps around our movement, 
suffocates, 
and all we can do is sit. 
The pavement is too hot for our feet and 
the air is too truthful. 
We all live in the shadows. 
We drink the water of the air 
and the grass lives green before 
the droughts set in. 

 

Fancy's Dove - Judith Irwin

Fancy's Dove - Judith Irwin

 

The mornings take place on front porches

and the girls sweat in their dresses. 

The swamp smell of ponds floats in 

the humidity of the wind. 

It tangles between the trees and the houses 

and with the wooden smell of barbeque comes laughter. 

The children run after dogs 

screaming, 

and the parents slowly sip picnic beers 

while the water drips down to the table 

leaving a ringed reminder. 

The heat grows so thick and 

twines in between our fingers, 

wraps around our movement, 

suffocates, 

and all we can do is sit. 

The pavement is too hot for our feet and 

the air is too truthful. 

We all live in the shadows. 

We drink the water of the air 

and the grass lives green before 

the droughts set in.

Mischievous Little Crow – Kelly Jacobi

In Poetry, Volume I: Spring 2009 on May 7, 2009 at 2:19 am
Edmund - Kelly Jacobi 

 

Edmund - Kelly Jacobi

 

I like baubles and things,

Glitt’ry whistles, rings,

Pearls and jewels, too.

Heart skips a beat,

A-flutter I go,

To fetch and horde,

In my nest I store,

The pretty little things,

Of my heart’s desire.

Poem for Children – Geoffrey Spurgin

In Poetry, Volume I: Spring 2009 on May 7, 2009 at 2:16 am

 

Be not bound by 
The rules and restrictions 
Of an ever present 
Realism. 
Just let your heart think 
And let your dear mind rest 
You will grow up child 
Dreamless. 
See through facts now 
For they will haunt your eyes so soon 
Don’t trust, believe. And beware! 
You can read yourself into ruin. 

 

Be not bound by 

The rules and restrictions 

Of an ever present 

Realism. 

Just let your heart think 

And let your dear mind rest 

You will grow up child 

Dreamless. 

See through facts now 

For they will haunt your eyes so soon 

Don’t trust, believe. And beware! 

You can read yourself into ruin.

the-band

The Band - Jeremy Meyer

Ode to the Working Man – Nick Bennett

In Poetry, Volume I: Spring 2009 on May 7, 2009 at 2:04 am

 

I revere your skin 
as it glides through the fields, 
that glistening sheen 
shines true of your health. 
I adore that sweat as 
it grants us asylum, 
a somatic glaze 
that stifles the heat. 
I absorb your scent 
as it speaks of hard labor, 
exchanging free smiles 
at the sign of our strength. 
I’ve learned to see 
in backlands and beauty, 
an alternate thinking 
that I will now praise. 

 

I revere your skin 

as it glides through the fields, 

that glistening sheen 

shines true of your health. 

I adore that sweat as 

it grants us asylum, 

a somatic glaze 

that stifles the heat. 

I absorb your scent 

as it speaks of hard labor, 

exchanging free smiles 

at the sign of our strength. 

I’ve learned to see 

in backlands and beauty, 

an alternate thinking 

that I will now praise.

Flower Over the Pacific - Layla Blackshear

Flower Over the Pacific - Layla Blackshear

Doubt – Ashley Briggs

In Poetry, Volume I: Spring 2009 on May 7, 2009 at 2:01 am

 

What I would tell 
the childhood me 
may sound contradictory. 
Keep your faith, 
but be aware. 
There are some 
who just don’t care. 
There are those 
who care too much. 
They try their best, and still, 
every time you talk to them 
they make you feel like hell. 
Actions speak 
louder than words. 
Intentions don’t mean shit. 
Except to God, 
who sees our hearts, 
and then, it’s hit and miss.
THINGS YOU CAN REMEMBER
Caitlin McGuire
Her heart beats like rain on a tin-can roof.
You can never remember the face
of the person that hurt you the most.
She can remember the sound
of his voice when he asked
what the fuck do you think you’re doing?
and she can remember the way
her voice couldn’t squeak out anything more than
please don’t do this
She can remember the way his fingers felt
pulling up her skirt, putting his hand between her legs
his hands were hot
and the way her body froze,
unable to defend itself
her thighs were frozen stiff
She can smell the beer on his breath
the bitter hops, the stale tobacco, it’s trite, but it’s true
She can taste what she can smell,
it’s that ingrained in her.
And she can remember the people watching her,
she can remember your sad, stupid face
while you made no move towards her,
even though you were the king of superlatives,
never been more in love than I am with you
the most perfect girl I’ve ever met
the smartest,
the prettiest,
the epitome, the best, the greatest
iloveyou iloveyou iloveyou
She can remember the way that
her body braced itself,
and that Daphne’s myth had left her completely
unprepared for literal rape,
and the fact that the boy on top of her
looked absolutely nothing like Apollo,
or at least nothing like the way they described him
in The Theogony, and she just barely remembers
thinking that she’s probably the only person
that ever contemplated Hesiod before being raped.
And she remembers her savior came
by the way of an opened door
and one of her many best friends yelling
what the fuck do you think you’re doing?
echoing the threat,
but sounding like a hallelujah chorus.
She remembers the brush of air as he
ran out the door, ran out of the room,
and she remembers feeling numb,
and losing contact with the yelling in the room,
mostly aimed at you and your body sitting in the corner.
She remembers that no one touched her after that,
and that you left her, and said
you led them on, you slut, you whore
not the iloveyous she was used to,
not when she needed them the most.
She can see the scars from
burns she gave herself,
and her hipbones jutting out from her body
because nothing tasted good anymore.
There are nights she can’t remember anything,
and these blackouts are a saving grace.
And she remembers all of her friends leaving her,
because she wasn’t the most fun anymore,
just barely more than a shell,
and with everything she remembers,
she can’t remember the face of the boy
who tried to put his fingers inside her
and ruined her for forever.
SOON UPCOMING
Lisa Kilian
The mornings take place on front porches 
and the girls sweat in their dresses. 
The swamp smell of ponds floats in 
the humidity of the wind. 
It tangles between the trees and the houses 
and with the wooden smell of barbeque comes laughter. 
The children run after dogs 
screaming, 
and the parents slowly sip picnic beers 
while the water drips down to the table 
leaving a ringed reminder. 
The heat grows so thick and 
twines in between our fingers, 
wraps around our movement, 
suffocates, 
and all we can do is sit. 
The pavement is too hot for our feet and 

 

What I would tell 

the childhood me 

may sound contradictory. 

Keep your faith, 

but be aware. 

There are some 

who just don’t care. 

There are those 

who care too much. 

They try their best, and still, 

every time you talk to them 

they make you feel like hell. 

Actions speak 

louder than words. 

Intentions don’t mean shit. 

Except to God, 

who sees our hearts, 

and then, it’s hit and miss.

 

Maurice - Stephen Snow

Maurice - Stephen Snow

Reality – Meshaudda Shaunique (LaChantia Anderson)

In Poetry, Volume I: Spring 2009 on May 7, 2009 at 1:55 am

 

Cozy . . . Mysterious mornings
Complete and full of thoughtful spirits
Waving laughter with wings that smile
Painting precious inspiration on the mountains that are blocking our paths
Soothing pressed hearts
Embracing Us!
Dancing . . . in a field of wonderful moments
Flowers swaying, singing the song of Joy
Harmonized with the wind
Together they . . . Whisper and Chant
Together they . . . Whisper and Chant
Together . . . they . . . Whisper and Chant
Relieving the burdened soul
Giving eyes to the blind hearts
Hearts that are no stranger to darker days
Uplifting Us!
Long . . . yet shortened days
Another chance to a sinful soul
Giving time for escape
Time that’s forever winding down
Time granted not promised
With lips that speak to the open ear
With pleas that cry!  “Repent for the time is near!”
Warning Us!
With wars no longer being rumors but reality
I pray for knowledge as well as safety
For in an unlearned and closed mind there’s nothing but starvation for the truth
Taking hold to lies and straining our eyes to see in the darkness that we have created
For not realizing what is going on around us leads to destruction
We have been victimized by those to whom we put our trust
But . . . What should we expect?
They didn’t create any of us
THE OLD PLAYGROUND
Jeff Jewett
I went to visit my elementary school. 

Cozy . . . Mysterious mornings

Complete and full of thoughtful spirits

Waving laughter with wings that smile

Painting precious inspiration on the mountains that are blocking our paths

Soothing pressed hearts

Embracing Us!

 

Dancing . . . in a field of wonderful moments

Flowers swaying, singing the song of Joy

Harmonized with the wind

Together they . . . Whisper and Chant

Together they . . . Whisper and Chant

Together . . . they . . . Whisper and Chant

Relieving the burdened soul

Giving eyes to the blind hearts

Hearts that are no stranger to darker days

Uplifting Us!

 

Long . . . yet shortened days

Another chance to a sinful soul

Giving time for escape

Time that’s forever winding down

Time granted not promised

With lips that speak to the open ear

With pleas that cry!  “Repent for the time is near!”

Warning Us!

 

With wars no longer being rumors but reality

I pray for knowledge as well as safety

For in an unlearned and closed mind there’s nothing but starvation for the truth

Taking hold to lies and straining our eyes to see in the darkness that we have created

For not realizing what is going on around us leads to destruction

We have been victimized by those to whom we put our trust

But . . . What should we expect?

They didn’t create any of us

9/18/08 – Ben Nardolilli

In Poetry, Volume I: Spring 2009 on May 7, 2009 at 1:45 am

 

Continue lamenting,
The birds outside
Forgot how bad we have it.

 

Continue lamenting,

The birds outside

Forgot how bad we have it.

Dewdrop - Layla Blackshear

Dewdrop - Layla Blackshear

Things You Can Remember – Caitlin McGuire

In Poetry, Volume I: Spring 2009 on May 7, 2009 at 1:39 am

 

 

Doppelganger - Elena Harding

Doppelganger - Elena Harding

Her heart beats like rain on a tin-can roof.

You can never remember the face

of the person that hurt you the most.

She can remember the sound

of his voice when he asked

what the fuck do you think you’re doing?

and she can remember the way

her voice couldn’t squeak out anything more than

please don’t do this

She can remember the way his fingers felt

pulling up her skirt, putting his hand between her legs

his hands were hot

and the way her body froze,

unable to defend itself

her thighs were frozen stiff

She can smell the beer on his breath

the bitter hops, the stale tobacco, it’s trite, but it’s true

She can taste what she can smell,

it’s that ingrained in her.

And she can remember the people watching her,

she can remember your sad, stupid face

while you made no move towards her,

even though you were the king of superlatives,

never been more in love than I am with you

the most perfect girl I’ve ever met

the smartest,

the prettiest,

the epitome, the best, the greatest

iloveyou iloveyou iloveyou

She can remember the way that

her body braced itself,

and that Daphne’s myth had left her completely

unprepared for literal rape,

and the fact that the boy on top of her

looked absolutely nothing like Apollo,

or at least nothing like the way they described him

in The Theogony, and she just barely remembers

thinking that she’s probably the only person

that ever contemplated Hesiod before being raped.

And she remembers her savior came

by the way of an opened door

and one of her many best friends yelling

what the fuck do you think you’re doing?

echoing the threat,

but sounding like a hallelujah chorus.

She remembers the brush of air as he

ran out the door, ran out of the room,

and she remembers feeling numb,

and losing contact with the yelling in the room,

mostly aimed at you and your body sitting in the corner.

She remembers that no one touched her after that,

and that you left her, and said

you led them on, you slut, you whore

not the iloveyous she was used to,

not when she needed them the most.

She can see the scars from

burns she gave herself,

and her hipbones jutting out from her body

because nothing tasted good anymore.

There are nights she can’t remember anything,

and these blackouts are a saving grace.

And she remembers all of her friends leaving her,

because she wasn’t the most fun anymore,

just barely more than a shell,

and with everything she remembers,

she can’t remember the face of the boy

who tried to put his fingers inside her

and ruined her for forever.

Ruins – Kena Sosa

In Poetry, Volume I: Spring 2009 on May 7, 2009 at 1:32 am

 

Virginal Spanish graffiti 
On Palenque’s stone walls 
T-shaped windy windows 
For “terminated” or “tortured” 
Wasted wonderland of the past. 
Limestone Castle 
Once the hot property 
Of the blue bloodline 
Ghosts are the only lonely 
Souls That fill your vacancy. 
Rusty American farmhouse 
Hasn’t heard a moo in years 
Wind whistles, metal corrodes. 
Too old and still too young 
To be called art. 
War Memorial 
Stone man stares at me 
Is this what you came for? 
Does it change a damned thing? 
He’s still long dead. 
With grass grown over 
Scarring tourist footprints 
Captured forever in photos 
Without first being asked 
Tasting their maker’s bitter fate. 

 

Virginal Spanish graffiti 

On Palenque’s stone walls 

T-shaped windy windows 

For “terminated” or “tortured” 

Wasted wonderland of the past. 

Limestone Castle 

Once the hot property 

Of the blue bloodline 

Ghosts are the only lonely 

Souls That fill your vacancy. 

Rusty American farmhouse 

Hasn’t heard a moo in years 

Wind whistles, metal corrodes. 

Too old and still too young 

To be called art. 

War Memorial 

Stone man stares at me 

Is this what you came for? 

Does it change a damned thing? 

He’s still long dead. 

With grass grown over 

Scarring tourist footprints 

Captured forever in photos 

Without first being asked 

Tasting their maker’s bitter fate.

 

wall1

Wall - Kelly Jacobi

 

Plastic – Parul Bhatia

In Poetry, Volume I: Spring 2009 on May 7, 2009 at 1:29 am

 

Rotten tomatoes curdle my heart 
Stinking eggs slide down my head 
I am trapped in a relationship that is 
baseless, uncaring and plastic 
“Please use some plastic,” I say 
“It’s not convenient,” he says 
I get spit at and I am ignored and laughed at 
But I stick on 
Need to buy some tomatoes and eggs 
for a healthy heart and a healthy scalp 
Rotten tomatoes curdle my heart 
Stinking eggs slide down my head 
I am trapped in a relationship that is 
baseless, uncaring and plastic 
“Please use some plastic,” I say 
“It’s not convenient,” he says 
I get spit at and I am ignored and laughed at 
But I stick on 
Need to buy some tomatoes and eggs 
for a healthy heart and a healthy scalp 

Poem: Surfacing – Ronnie K. Stephens

In Poetry, Volume I: Spring 2009 on May 7, 2009 at 1:20 am
content_in_ink

Content - Elena Harding

Her ice-blue eyes peer deep 
when she fixes her gaze to mine, 
her mind turning me over and over. 
Despite the internal world 
        she insists I can’t understand 
and polished theory of relative existence, 
she practices the art of simplicity when she speaks. 
You make me smile big. 
Not like a house 
or with lily cheeks 
stretched across porcelain skin. 
Big. 
Like big is big 
and she cannot make it small. 
She likes talking to me 
when she wants to be left alone, 
when she prefers to sit and listen 
at the entrance to a door 
                        she is not ready to open. 
Her mother does not exist, she says. 
Nor Israel, nor Lebanon. 
These are not childhood revelations. 
They are her way of life. 
Leaned against her trunk, she fidgets 
with her watch. I ask her for the second time 
what she thinks of me. 
        I think you exist 
        when you’re not with me. 
        A finger upon my neck, 
        eyelashes flitting against my chest. 
        Butterfly migration. 
I can only smile. Big. 

Her ice-blue eyes peer deep 

when she fixes her gaze to mine, 

her mind turning me over and over. 

Despite the internal world 

        she insists I can’t understand 

and polished theory of relative existence, 

she practices the art of simplicity when she speaks. 

You make me smile big. 

Not like a house 

or with lily cheeks 

stretched across porcelain skin. 

Big. 

Like big is big 

and she cannot make it small. 

She likes talking to me 

when she wants to be left alone, 

when she prefers to sit and listen 

at the entrance to a door 

                        she is not ready to open. 

Her mother does not exist, she says. 

Nor Israel, nor Lebanon. 

These are not childhood revelations. 

They are her way of life. 

Leaned against her trunk, she fidgets 

with her watch. I ask her for the second time 

what she thinks of me. 

        I think you exist 

        when you’re not with me. 

        A finger upon my neck, 

        eyelashes flitting against my chest. 

        Butterfly migration. 

I can only smile. Big.